![]() Generic Radio Workshop Script Library Series: The Lone Ranger Show: Episode #1 Date: Jan 30 1933. How Kentucky Bourbon Whiskey Is Made. Ross : On the Bourbon Trail: September is National Bourbon Month! Read about an excursion to Fond du Lac, WI. It all started with a bluefish blitz at Metcalf’s Hole on South Beach. It was early summer and the bluefish were everywhere. After hitting the yard sales, Zee and I. Warren William stars as Chandra in The Mind Reader (1933). A look at the growing cult of William and why he fit this character so well. Several extremely gruesome murders involving mauling and human embroidery. A husband likes making love to his wife– whether she wants to or not. Blondie Johnson (1. Review – Pre- Code. Com. Proof That It’s Pre- Code. It’s about a lady gangster who takes over a mob through her wits rather than with her body– which is pretty rare for a Pre- Code. She’s vicious, cunning, and makes suckers out of her enemies. Blondie goes into the hospital to visit her gangster cohort who was run down by an upset mob boss, and gets caught with a gun on her. Now guess where she was packing the heat: And to be perfectly clear, when I say . It’s not often you see blood in these old movies (I don’t think squibs will be invented for a while yet), so it’s cool to see it used effectively in a few scenes here. The Particulars of the Picture. Blondie Johnson: Guns and Gams“Those with money have it, those who don’t have it, don’t.”Getting ahead for women in the Pre- Code Era was often viewed as using logical assets their advantage, and the most logical assets a woman had were her womanly wiles. Barbara Stanwyck displayed this in Baby Face a few weeks ago, where we follow along as she sleeps her way to the top of a bank. Hell, the popular Gold Diggers series is entirely about young women using their beauty to carve out a comfortable living for themselves. Blondie Johnson bucks this trend in a big way, with mobster Virginia . She’s told she’s not needy enough (with the clerk even insinuating that she should have surrendered to the advances rather than be put out on the street), and soon she’s rejected and returns home to find her mother dead. Radical Islamism does not use words to get what it wants. We observe its methods in Syria, through ISIL. There, they stone women and throw men from buildings for. This Web site is dedicated to the wonderful world of the short story and to all who enjoy reading shorts stories as I do. I will try to add a few short stories every. Davey Havok discusses the straight edge and hardcore influences behind his new band XTRMST. This is her origin story, so we flash forward to her funeral to find that a happy, condescending priest is telling Blondie that it’s a tragedy, but we must all work hard for what we earn. Blondie glowers; there’s an easy way to make money, too. One upping every gangster at their own game, one grand at a time.“I found out the only thing worthwhile is dough. And I’m going to get it, see?”This determination to survive in spite of the shit society has heaped upon her sends Blondie to the big city, where she starts with a couple of small scams before falling in with Danny Jones, a guy high up in the mob who plays lapdog to the big man, Max. Blondie sees plenty of lateral movement available to someone like Danny, but the dumb bastard initially can’t see anything in her beyond her beauty. So Blondie gets to work, first freeing a big dumb mug who was on trial for murder by playing his despondent wife, and then pitching a scheme to target the city’s jewelry stores with new cons that will encourage them to buy Blondie and Danny’s special brand of insurance. This doesn’t escape the notice of Max, and soon there’s a miniature gang war that Blondie wins handily with cold blooded determination. Cast - Porridge - the unofficial homepage. Richard Beckinsale Page. AKA Prison Officer Henry Barrowclough. Peter Green's 1933 Ex-Straight / Seaman K3 MG Magnette. IT IS always a pleasure to encounter almost-original historic cars. So I was fortunate last month to drive. And a secret bar hidden in a rotating fireplace because, dammit, if you’re going to off someone, do it with some crazy damn style. See? SEE? It’s a very Warner Brothers gangster movie, with more hard boiled slang than you could throw a dictionary at. Blondie tries her best to keep her legs together, bound and determined to make her way to the top. Danny is kind of a dope, though, constantly questioning her and making plays for her bedroom. Blondie has none of it despite admitting that in a different time and place she’d be there, and like a wounded dog Danny runs off in a huff. Blondie does something interesting here, and that’s have by having the heroine’s two lead female friends question her about the wisdom of this decision. Mae looks her straight on, and asks: “Blondie. Blondie doesn’t want to sleep with a man, but others encourage her too. Even if she wants to this time, the audience can’t help but to think back to the beginning of the movie and understand: Blondie giving into temptation is a surrender of her belief in her independence. Blondie Johnson isn’t saying you can’t use your body to get ahead, but if all men see and want is a body, then any success is illusory. This is put a little more succinctly by Blondie herself: “For me, business comes before pleasure.”Even if saying . We’ve all seen plenty of movies, so we know you don’t put Joan Blondell and Chester Morris in as the stars and not expect them to kiss. Blondie must make the tough choices here, to prove to herself that she’s a success on her own terms and not just the terms that the male dominated world have made for her. She keeps climbing, even when that means that she has to force Danny out of the organization– he’s simply not wise enough to keep his finances together and his hands off the pretty women who are happy to take his money. The mob adores Blondie, and make her the boss without a hassle. Blondie is at the top, and though she realizes that she misses Danny, she’s had her dream come true. She took the easy way, and all it cost her was one broken heart. Every emotion in the book comes out in this one. To this end, she must decide after some damning evidence comes to light whether Danny has turned evidence, and whether or not he should be allowed to live. It’s not many movies that climax with one half a romantic pair having to make the decision as to whether or not the other half should be rubbed out, but I think you’ve figured out by now that Blondie Johnson ain’t your usual picture. The performances here across the board wonderful. Chester Morris is great as a petulant child who also happens to be romantically enticing– not easy to pull off. Allen Jenkins is the king of cool, and there’s a couple of excellent turns from the whole crew as parts of the film resemble an Ocean’s 1. Director Ray Enright keeps a snappy pace, even if a few shots stick out like a sore thumb. But the real treat here is Joan Blondell. Warner Brothers worked her to the bone (she was in 3. She was someone who usually had to make due with her material, so here, where the material shines, you really get to see Blondell show her skills. She choose. It’s ending, for one, so please skip the next paragraph if you don’t want to be spoiled. It’s a crime picture, so for the ending we either have the law swooping in or a hail of bullets; I think Blondie doesn’t quite nail this. She finally succumbs to her love for Danny, proving that she can succeed, but this also may put her back into a more subdued role. Both are arrested and Blondie’s gang broken up, and she and Danny pledge eternal love after their prison sentences are up. It doesn’t really work since Danny is doing most of the talking– and we all know the choice Blondie has made. The last scene should have been shortened, or excised altogether. Regardless, Blondie Johnson is a treat, even if it’s never as rough and tumble as its Cagney and Robinson contemporaries. Gallery. Here are some extra screenshots I took. Click on any picture to enlarge! Why is Chester Morris’ character’s nickname “Danny”? As a Danny, I don’t usually meet people who are Dannys who aren’t possibly Dan or Daniels? What? I think I’ve mentioned this before, but my favorite contemporary 1. Andre Senwald for the New York Times, and in his review for the film he makes note (before he spoils the film’s ending): Of course, the film’s best asset is Miss Blondell herself, who is ingratiating, cynical and tartly amusing. In case I didn’t provide you with enough screenshots, DVDBeaver has got a few more as well as some advertising materials. TCM delves into a few tidbits in terms of the film’s . Her biggest role is in The Bitter Tea of General Yen, which I will hopefully be hitting in the next few months, but if you’re interested in learning more about her, Wikipedia has got some dirt for you. Speaking of, this ad is pretty fun: Believe it or not, some of these claims may be exaggerated. I also really like the poster for the film, even though something always throws me off when I look at it too long: Namely, just how long is Chester Morris’ neck supposed to be? Availability. Follow @Pre. Code. Dot. Com//Related. White Angel Breadline. San Francisco, California. Dorothea Lange photographing at a migrant camp. Dorothea Lange, Resettlement Administration photographer. Lange was forty years old when she made the photograph . She had been a portrait photographer in San Francisco, her clients from wealthy families, the direct opposite of the . Not until she was thirty- seven, in 1. Montgomery Street into the gritty city, where the Depression was . Her friends were artists and photographers, among them, Imogen Cunningham, Edward Weston, and Ansel Adams. She had come to California in 1. New York with portrait photographers. As World War I reached its climax, she embarked on a trip around the world but ran out of funds and got no farther than San Francisco, where she opened a portrait studio and, in 1. Dixon. When, soon after, Dixon quit his job as a billboard artist to devote himself to painting, he took long trips to the Southwest, usually leaving his wife behind in San Francisco. Lange had been left behind before: her father, a lawyer, had abandoned his wife and children during the Depression of 1. Hoboken, New Jersey. When exactly, and why, did Lange decide to photograph ? Her own accounts vary, though all entail a struggle to redefine her professional identity. In an interview during the 1. But, in an account from the 1. All kinds of people, people who paid me and people who didn't. Urgency, fear, and hope were in the air. In his first Hundred Days, FDR issued executive orders establishing a host of programs and agencies to provide relief and create jobs for the poor and the unemployed. Lange, on San Francisco's skid row, was photographing men sleeping on sidewalks, leaning against storefronts; one man sat slumped, head bowed, next to an overturned wheelbarrow. In 1. 93. 4, Lange and Dixon, though living apart, were portraying similar scenes, Dixon's paintings of a man sitting on a curb and men leaning against buildings echoing Lange's photographs. Or perhaps her work echoes his, framing views from the same low perspective. Probably the influence was mutual. Before the San Francisco general strike broke out, on July 1. Lange had already photographed demonstrations: men with fists raised, mouths open, shouting. When the strike erupted among longshoremen, she entered the crowds to make portraits of participants and spectators: men gripping placards; a policeman in the street, with gleaming badge and buttons; a crowd of men in fedoras and overcoats, shirts and ties. When she put up on the walls of her studio prints of the demonstrations, the general strike, and the unemployed men on San Francisco's streets, her privileged clients asked, . Paul Taylor, who was teaching economics at Berkeley and saw the exhibit, phoned to ask whether he might use a photograph for Survey Graphic, a leading social science journal of the day. Lange said yes, and her photograph of a man shouting into a microphone appeared with an article by Taylor and Norman Gold. Taylor, who had known the Survey Graphic editor, Paul Kellogg, for many years, had written for the journal previously, including an article on migrant workers from Mexico with photographs by himself and by Ansel Adams. Ten months later, they were married. In January 1. 93. Lange, on her first trip for the new job, accompanied Taylor to California's Imperial Valley to observe and report on farm laborers living in hovels made of cartons, branches, and scraps of wood and cloth, with primitive privies, no waste disposal, no potable water. Lange began to write as well, impressed by the . Thirty years later, the excitement of that early fieldwork was still fresh for Lange, particularly the memory of the rainy afternoon when she met the first Dust Bowl migrants. For that first assignment, she combined, in a spiral- bound document, Taylor's longer texts (including statistics) with her own hybrid essays, and maps drawn by Maynard Dixon. That first report by Lange and Taylor, . At the meeting of the SERA commissioners, Taylor's boss (who had been skeptical about hiring a photographer) pulled out Lange's sheets of captioned photographs and passed them around the table, whereupon the members voted to fund the camps. Later, though, someone challenged the state commission's authority to allocate federal money, for the camps were controversial. After the general strike of 1. Not until a federal official went out into the field with Taylor and Lange to observe living conditions firsthand were funds allocated to construct two camps, the first federally funded housing in the United States, Taylor said. Taylor has been called the father of the migratory camp program in California. If he was the father, then Lange was the mother. Taylor and Lange's first report described the situation faced both by Mexican and Filipino farm workers and their children and by . Lange produced at least three other reports that spring of 1. Taylor and two on her own. By April, she was photographing . The photographic essay she composed later that month was more than a collection of photographs (figure 6). It was a story, beginning at the bridge from Yuma, Arizona, the gateway to California, introducing the migrant families and their . From the first pairs (a young father, mother, and baby on a train; empty train tracks stretching into the distance) to the last pair (a woman leaning on the ship's rail, looking out; the steamship sailing off), Lange captures hope, apprehension, regret. The Works Progress Administration was creating jobs for unemployed workers, from laborers to artists. Roosevelt had signed the Social Security Act to provide pensions and unemployment insurance, a sea change in American society. Agencies created two years before were now being revised, moved, and reformed under new names within new structures, their staffs reshuffled and expanded. One of these was the Resettlement Administration, consolidating several existing programs, including a low- interest loan program to help poor farmers buy land. Among those recruited to go to Washington, D. C., to staff the new Resettlement Administration was Lewis Hewes, who had authorized Lange's original appointment to work with Taylor. Hewes took along to Washington copies of Lange's and Taylor's reports to show to his new boss, Rexford Tugwell, and also to Secretary of Agriculture Henry A. Wallace, Secretary of the Interior Harold Ickes, and Eleanor Roosevelt. Lange's photographs had a . Two years from the time Dorothea Lange stepped down from her studio in San Francisco to take her camera into the streets, she was ready to photograph the New Deal. She knew what she wanted to do, and what she would do for the rest of her life. That was Lange's way of working. What's going on here?'. The camera on the tripod was a come- on. The kids would gather round and ask for their picture to be taken. Then they would run to tell their parents, and she would follow. That's how she met the adults. Lange looks down through the viewfinder of her Graflex, the lens at the level of his chest. It was her practice to point her camera up toward the faces, not to look down on them; that perspective made her subjects seem monumental. It was also a consequence of her own short stature and of her choice of cameras, some of which required her to look down through a viewer rather than straight ahead. To get an overview of a camp or a field, Lange would climb up onto the roof of her car (figure 1. On assignment for the FSA, Lange usually photographed every day, from early morning into the evening. At night, she wrote letters and prepared for the next day's work: . Had a good day today but I'm done up. Although she sometimes stayed in one place for several days, she often had to travel several hundred miles in a day. If an assistant was along, they might travel all night, taking turns driving and sleeping, or sleeping in a single room in an auto court, like those in California's Central Valley between U. S. 9. 9 and the railroad tracks, where the roar of trucks and the clanking of trains resounded throughout the night. She would ask for directions as a way into a real conversation. She might speak to someone standing at the opening of a tent, on a doorstep, in a field, beside a car: Where had they come from? Where were they going? Who was living or traveling with them? How were they managing? What were their plans? There was no emotional distance between Lange and her subjects. Ben Shahn, in contrast, sometimes used an angle- finder on his lens so that people did not know he was photographing them. It is hard to imagine Lange's employing such a technique. All photographs are made in collaboration, as part of their thinking as well as mine. Many of the individuals she photographed are shown speaking to her or pausing to reflect, their expressions revealing. She usually took more than one photograph of each person; in one an expression may be grave, in another a smile flashes. Lange was patient: Often it's just sticking around and being there, remaining there, not swooping in and swooping out in a cloud of dust; sitting down on the ground with people, letting the children look at your camera with their dirty, grimy, little hands, and putting their fingers on the lens, and you let them, because you know that if you will behave in a generous manner, you're very apt to receive it.. I have asked for a drink of water and taken a long time to drink it, and I have told everything about myself long before I asked any question. What do you want to take pictures of us for? Why don't you go down and do this, that, and the other? Some of her notes are scrawled; others are written more carefully. Most are in her own handwriting, with its distinctive upright, rounded letters; some are in another hand (occasionally a stenographer from the local FSA office accompanied her). The comments Lange wrote are never critical or condescending, though some notes in others' handwriting are. In all the many daybook pages I examined during my research, I found not a single denigrating comment by Lange about any person.
0 Comments
![]() Winston Smith Timeline in 1. The who, what, where, when, and why of all your favorite quotes. Turn your truck into the titan of the roadway with truck bed racks, side steps, hitch steps, storage cases, or any other heavy-duty parts by Go Rhino. This is a list of notable events in music that took place in the year 1984. Winston Smith Timeline and Summary. BACK; NEXT; It starts on a cold, bright day in April 1984. At one p.m., Winston drags himself home for lunch at his apartment. ![]() Ghostbusters movie clips: https://www.youtube.com/playlist?list. BUY THE MOVIE: http:// Don't miss the HOTTEST NEW. ![]() ![]() ![]() Baby Steps (Japanese: . It has been serialized in Kodansha's Weekly. With music by Andrew Lloyd Webber, lyrics by Richard Stilgoe and choreography by Arlene Phillips, Starlight Express has been seen by over 20 million people and gross. Log in with either your Library Card Number or EZ Login. Library Card Number or EZ Username PIN or EZ Password. True Crime: Streets of LA ! Streets of L.A., Los Angeles, CA. Pages in category 'Streets in Los Angeles County, California'. Template:Streets in Los Angeles; Template:Streets in the San Gabriel Valley; A. Below is a list of streets in the city of Los Angeles featured in L.A. Search for 'The Streets of L.A.' on Amazon.com. Title: The Streets of L.A. Search Microsoft Search. You Turn Me On Robert. ![]() The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality. Music video by Clare Dunn performing Tuxedo. ![]() Tuxedo & Suit Rentals . Sign up to stay in the know. Sign up for our latest releases, collabs, and other good stuff. Stay in the know on our latest releases, collabs, and other good stuff. ![]()
![]() Tuxedo is here, stay classy! Directed by Ross Harris and Henry DeMaio Produced by Jackson Perry Choreography by Micah Moch and Mia Orozco Featuring Isaac.![]() ![]() Saracens synonyms, Saracens pronunciation, Saracens translation, English dictionary definition of Saracens. Arab peoples adopting Islam and opposing crusaders. The Saracens Head, Deal, Kent, England. The Saracens Head Public House in Deal. Directed by Roberto Mauri. With Richard Harrison, Walter Brandi, Annamaria Ubaldi, Gino Turini. In the territory of his holiness the Turkish pirates terrorize the. Debutant Alex Lozowski scored 20 points as Saracens began their defence of the Aviva Premiership with a bonus-point 35-3 victory over Worcester at Twickenham. The Saracens Head Hotel has been welcoming Booking.com guests since Aug 1, 2005 Inn: 27 rooms Most Popular Facilities Free Parking Pet Friendly. Saracen was a term widely used among Christian writers in Europe during the Middle Ages. The term's meaning evolved during its history. In the early centuries AD. Saracen synonyms, Saracen pronunciation, Saracen translation, English dictionary definition of Saracen. Civilization Tech Tree Strategy The Saracens are an offensive civilization with particularly. The Saracens Head Hotel, Highworth, UKBooking. To keep the rating score and review content relevant for your upcoming trip, we archive reviews older than 2. Only a customer who has booked through Booking. This lets us know that our reviews come from real guests, like you. Who better to tell others about the free breakfast, friendly staff, or quiet room than someone who’s stayed at the property before? We want you to share your story, both the good and the bad. All we ask is that you follow a few simple guidelines. ![]() TheSaracens.com : Unofficial Saracens news, views and message boards. Country Pub & Restaurant. Reviews vision. We believe review contributions and property responses will highlight a wide range of opinion and experiences, which are critical in helping guests make well- informed decisions about where to stay. Reviews principles. ![]() Contributions to Booking. Whether negative or positive, we will post every comment in full and as quickly as possible, provided the guidelines are met. We will also provide transparency over the status of submitted content. We will use the same guidelines and standards for all user- generated content as well as the property replies to that content. We will allow the contributions to speak for themselves, and we won’t be the judge of reality. Booking. com’s role is that of a distributor of feedback from both guest and property. Guidelines and standards for Reviews. These guidelines and standards aim to keep the content on Booking. They are also applicable regardless of the sentiment of the comment. Contributions should be travel related. The most helpful contributions are detailed and help others make better decisions. Please don’t include personal, political, ethical, or religious commentary. Promotional content will be removed and issues concerning Booking. Customer Service or Accommodation Service teams. ![]() Contributions should be appropriate for a global audience. Please avoid using profanity or attempts to approximate profanity with creative spelling, in any language. Comments and media that include 'hate speech', discriminatory remarks, threats, sexually explicit remarks, violence, and the promotion of illegal activity are not permitted. All content should be genuine and unique to the guest. Reviews are most valuable when they are original and unbiased. Your contribution should be yours. Booking. com property partners should not post on behalf of guests or offer incentives in exchange for reviews. Attempts to bring down the rating of a competitor by submitting a negative review will not be tolerated. Respect the privacy of others. Booking. com will make an effort to obscure email addresses, telephone numbers, website addresses, social media accounts, and similar details. The opinions expressed in contributions are those of Booking. Booking. com. Booking. Booking. com is a distributor (without any obligation to verify) and not a publisher of these comments and responses. Seus estatutos foram aprovados em 1. Ficou estabelecido que em qualquer Estado onde houvesse 7. Se. Em. 1. 95. 5, esse n. Em 2. 1 de. agosto de 1. Em maio de 1. 93. A proposta deste texto . Abacus, AD190 Uso do Aqui no mises o pessoal vive elogiando os empreendedores, colocando-os como os principais respons. Seguem no link abaixo BIOGRAFIAS de pessoas importantes para a Doutrina Esp No VII Congresso Brasileiro de Enfermagem foi. O Conselho Federal e os Conselhos Regionais s. Em cada Estado existe um Conselho Regional, os. O mandato dos. membros do COFEN/CORENs . ![]() ![]() ![]() 2009 - Maria Paula Gomes dos Santos Minist ![]()
San Ignacio De Loyola. ![]() Visit San Ignacio College website Exclusive place to stay and enjoy the city of Cusco. Visit La Casa de Don Ignacio website Follow us on: UNIVERSIDAD SAN IGNACIO DE LOYOLA Av. La Fontana 550, La Molina Lima - Per San Ignacio de Loyola San Ignacio de Loyola (1620-1622) por Pedro Pablo Rubens, Mus. By San Ignacio De Loyola and S.J. Colegio San Ignacio de Loyola Address 1940 Calle Sauco, Urb. Santa Maria San Juan, Puerto Rico 00927 United States Coordinates Coordinates Information Type Private, Catholic, Established 1952; 64 years ago (1952), (first graduating class, 1956) Principal. ![]() ![]() San Ignacio de Loyola Inicio Sobre San Ignacio Bienvenida Historia Misi Ignatius of Loyola: The Psychology of a Saint. New Haven: Yale University Press. San Ignacio de Loyola: Nueva biograf. ![]() Film rosyjski - donia. Dworzec kolejowy. Mieszka w dworcowym hotelu, posi. Tutaj spotyka go Filip, jego przyjaciel i wsp. Jeszcze tej samej nocy pr. Filip informuje przyjaci. Prosi doktora Barcza, specjalist. Po jednej z bezsennych, sp. Podobnie jak poprzednie, ta rozmowa r. 1963 – Kaligula jako Cezonia (re. Zamkow) 1966 – Makbet jako Lady Makbet. 1954 – Tragedia optymistyczna; 1956 – Romeo i Julia; 1956 – Samotno. Zobacz Optymistyczna tragedia online - ca
![]() Rhapsody Of Fire I Official Website. Thursday, 2. 9 September 2. Dear fans. We have to announce an important change within the band. After an amazing musical adventure together Fabio Lione. Rhapsody Of Fire have decided to part ways. Rhapsody Of Fire will continue composing, producing and playing amazing music for their fans. ![]() Making music history with Dolby Atmos! Luca Turilli’s RHAPSODY making music history by releasin. ANNOUNCING NEW ENDORSEMENT Luca Turilli’s RHAPSODY are. Welcome to Rhapsody Of Realities Daily Devotional, the No.1 daily devotional in the world! No changes to your playlists, favorites, albums, and artists. 100% the music you love. In the sixth and final episode of Rhapsody of Fire's 2014 tour documentary, Alex Staropoli and engineer/mixer Alberto Bravin reflects on the making of the Dark Wings. Watch videos & listen free to Rhapsody: Emerald Sword, Dawn of Victory & more. There are multiple artists using this name: 1. A Symphonic Power Metal band from.Rhapsody Of Fire - ACT III - The Ancient Fires Of Har-Kuun Rhapsody of Fire - Dargor, Shadowlord Of The Black Mountain Rhapsody Of Fire - Dargor, Shadowlord Of The. Rhapsody to Napster Im not sure what is happening but ever since it went to Napster i've been experiencing the app to ONLY let me hear songs offline.and. O controle jurisdicional pode e deve incidir sobre os elementos do ato. Gostaria de saber como e onde que tenho que ir recorrer sobre as a. Assistir Filme O Telefone Online. Veja a sinopse, elenco, cr! ![]() Fale Conosco - O Globo. 1 vez; 2 vezes; 3 vezes; 4 vezes. O Filmow; Sobre o Filmow; Cadastrar filme; Perguntas Frequentes. Telefone: +55 (61) 3216-0000 O Telefone avaliado por quem mais entende de cinema, o p. O INAMPS foi criado pelo regime militar em 1974 pelo desmembramento do Instituto Nacional. Pesquisa; Imagens; Maps; Play; YouTube; Not ![]() ![]() Veja Carro Volkswagen Gol GL 1.8 1988 - 1651122 e confira mais informa. Para recusar o recebimento de an ![]() |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |